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Glazed Over
Doing as I’m told wins out
over my fear of fire.
I put on protective mitts,
pick up iron tongs and
practice lifting pots so I can
remove some from the kiln.
As the teacher raises
the raku dome,
I see
my white-hot pottery
and reach into Hell.
The plates I pluck,
I place in papered cans
and feel the fiery flare
until I clap on lids
and I’m done.
Wabi sabi time, the teacher says,
perfection in imperfection
crack, craze, or crackle--creating
elusive maroon or muted mauve.
Initiated by fire, I lift the lids
and search through cinders
for each Phoenix.
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Hindu Tradition
Friends study
the god Ganesh,
an elephant man,
deity for everyman,
providing protection
and prosperity.
The friends take clay,
shape the Hindu idol--
torso, trunk and tusks--
hoping worries,
whispered
into wingèd ears,
will fly with the wind.
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
by Jeanie Greensfelder
Psychologist, poet, Women's Press writer, Hospice of SLO volunteer . . .
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The Lesson
Slam it into the center,
spin the wheel till the clay
stays steady, poke a hole,
pull your fingers slowly
toward your belly button,
the teacher tells me.
I wobble, then jerk
my bowl askew
with a warped beauty
that speaks to me.
He swipes it away,
slams new clay,
guides my hands
shapes a perfect pot--
so not me.
Reflection
Something
satisfying,
sobbing
at the mirror.
Seeing
someone
feeling
sorry
for me.
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